January 2023 reading round-up
I usually quite like January. It includes my birthday, for one thing. The concept of a fresh start is a nice idea, even if I rarely make any real change. Lots of people take a month off socialising so there’s good reason to stay at home reading books, watching TV and playing games. And though it’s still winter, the days are getting longer, the first spring flowers are coming through, and really not much can beat a crisp dry sunny winter day.
However, this month has been mostly grey and wet. There’s been a resurgence of COVID to add to all the other winter bugs doing the rounds, so half the people I know have been unwell or still are. And we said a final goodbye to my grandad, who died at the end of December. So it’s not been the best January.
My reading was, perhaps appropriately, mixed. I started strong, with a book I knew I would love – Taste by Stanley Tucci. I ended the month with another real-life tale, a story far more extraordinary but not as well written: A Hope More Powerful Than the Sea by Melissa Fleming. The difference? It wasn’t told by its protagonist, and there was no good reason for that. It distanced me from what should have been an incredibly powerful experience. Ah well. Not every book can be a winner.
I also watched the usual large quantity of films and TV. The last two films I saw were the best: The Wonder – a period drama on Netflix starring the ever-excellent Florence Pugh – and Apocalypse Now: the Final Cut. The former is a fantastically strange, thoughtful film. While the latter is of course completely unhinged, that being the point it is making. War is insane, full of pointless suffering and death. And seriously, 14-year-old Laurence Fishburne is just as amazing as all the more experienced actors around him.
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