Category: Reviews

India, fount of my imagination, source of my savagery, breaker of my heart

The Ground Beneath Her Feet book coverThe Ground Beneath Her Feet
by Salman Rushdie

I think I was at university the first time I started reading this. I stopped around 100 pages in, overwhelmed by the relentless references to mythology (Greek, Roman, Norse and Indian), religions, history and language. I think I needed to spend another 15 (plus) years absorbing information about all those things to not only appreciate but truly enjoy this novel. And this time I loved it.

This is an epic tale, centred on a love triangle but encompassing so much more of life and the world than that suggests. The “her” of the title is Vina Apsara, half-American, half-Indian, raised in poverty, handed off from relative to relative until she lands on the doorstep of the Merchant family in Mumbai.

The grand love of her life is their near neighbour Ormus Cama, youngest son of a rich Parsi family. His twin brother was stillborn but Ormus dreams of him, swears that his dead brother feeds him the music and lyrics that he writes.

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K-drama review: I’m Not a Robot

I'm not a robot poster
Yoo Seung-ho as Kim Min-kyu, and Chae Soo-bin as Jo Ji-ah

This TV show had been on my to-watch list for so long that I’m not sure where the recommendation originally came from, but I’m grateful for it. I’m Not a Robot (MBC 2017-2018) is silly fun, confronting some of the cliché problems with K-dramas without taking itself too seriously. Which is for the best, considering its plot.

Jo Ji-ah (Chae Soo-bin from Love in the Moonlight) is an entrepreneur whose brother is threatening to throw her out of their shared home if she doesn’t give up on her inventions and get a “real” job. To make ends meet she has various part-time jobs and in the course of one of these she meets Kim Min-kyu (Yoo Seung-ho), a reclusive company director who refuses to pay her in full.

Shortly after this, Ji-ah is approached by her ex-boyfriend, professor Hong Baek-gyun (Um Ki-joon), with a lucrative job offer. His research team, Santa Maria, has secretly developed a humanoid AI robot called Aji-3 and they’re about to test it with a major investor but they’ve hit a snag: following a lab accident, the robot’s legs don’t work. Happily, the robot looks exactly like Ji-ah, so could she pretend to be the robot for the investor for a day or two while they get the robot’s legs working?

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The muddy afternoon sky disgorged a white moon for teatime

Save Me the WaltzSave Me the Waltz
by Zelda Fitzgerald

A few years ago I read Z: a Novel of Zelda Fitzgerald by Therese Anne Fowler and became duly fascinated by this woman who was so much more than the wife of a famous writer. I was particularly interested to learn that Zelda too had written a novel but it was out of print at the time. Thank goodness for small publisher Handheld Press, which republished it in 2019.

This novel is based on Zelda’s own life from her teens through to her early 30s. It was written fast, over six weeks, which perhaps adds to the jazz-like atmosphere. Not that there is that much of it about partying hard in 1920s New York, nor much internal monologue. But there is a lot of exuberance in the language, riffs of evocative description breaking into the narrative. Which is a style that is initially a little tough-going and honestly I wasn’t sure I liked it at all, but it grew on me as the story progressed (though if I had been her editor I would have reined it in, at least in the earlier chapters).

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You start off as coal and you end up as coal

Midnight LibraryThe Midnight Library
by Matt Haig

This novel was selected by my work book club, and it was a classic example of my having loved a book until I started to talk about it with other people, at which point I found many flaws. I love Matt Haig and his style is very readable, so I think I probably did notice some of this book’s problems while I read, but skimmed over them. And I would still recommend this book, just with a little commentary about my reservations.

The problems begin with the premise itself. Nora is having a terrible day and as midnight approaches, she attempts suicide. But instead of leading her to death or a hospital bed, she finds herself in a magical library where every book represents a version of her life. The librarian tells her that she can try on these variants of her life to see if any of them fits her better than the life she just tried to leave. If she isn’t happy there, she will return to the library.

The librarian explains that these lives are based on decisions that Nora made, so she can’t choose a life where someone else’s decision was different, only those where she opted for something else. To help guide her choices, Nora is given a book of regrets. She has many regrets, but if she can undo all those decisions will it make her life a happier one?

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A brief rain shower, sweeping swiftly across the valley, gently moistening the parched leaves

The Harmony Silk FactoryThe Harmony Silk Factory
by Tash Aw

This novel seemed to have all the right elements for me to love it, but I’m not sure I even liked it. I see a lot of Goodreads reviewers have called it 2/3 a good novel and I can see their point, but I think it fails long before the final section that others disliked.

Set in Malaysia, with its key events taking place in the 1940s, this is ostensibly the story of Jonny Lim, a poor country boy turned wealthy textile merchant, but his story is told through the lens of three narrators who all think they knew him far better than their accounts suggest is true. Was Jonny a Communist leader, a gangster, a murderer, a traitor? His son Jasper thinks so, but his account appears to be the least reliable of all.

Jasper is the first narrator. Following his father’s death, he is trying to piece together Jonny’s life from a combination of official documents, his own memories, rumours and a generous dose of his own imagination. His unreliability is so thickly laid on that I found it tedious rather than mysterious. There is some satisfaction to be had from seeing some of the events later through another perspective and finding a version of the truth that rings truer, but a lot of what Jasper covers is never revisited, so it can only ever be pure speculation.

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The spiteful snake that slithers out of her tongue to hurt her mother

Girl Woman OtherGirl, Woman, Other
by Bernardine Evaristo

This novel is funny, smart and encompasses so much through the specifics of its 12 narrators.

It starts and ends with Amma, a playwright who, after years of struggling to make ends meet while making gay, feminist art, is finally on the brink of success. Subsequent narrators include her daughter, mother and closest friends, as well as people who seem to be unconnected at first. We’re given a potted history of each person along with some degree of meeting them “now”, learning how they are connected to Amma and her premiere.

Evaristo’s style is engaging; sometimes funny and sometimes serious; issues-driven without sacrificing storytelling. What is most immediately noticeable is that it is written in fragments not sentences, which seemed like it might be challenging, but I loved it. It gives the novel a quality similar to natural conversation but more elegant.

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It’s hard to resign ourselves to making money out of those we love

To Leave With the ReindeerTo Leave With the Reindeer
by Olivia Rosenthal
translated from French by Sophie Lewis

I quite like books that are strange and hard to categorise, but I found this a little too weird, or at least too minimal in actual story. It’s certainly ambitious and I’m sure will have its fans.

A second-person narrative describes a woman from early childhood, trying to break free from her mother’s stronghold. One winter she fantasises that after Christmas she will leave with the reindeer, to wherever it is that they go after they have assisted Santa with his work. She desperately wants a pet, a wish that is never fulfilled. When she grows older this becomes a desire to work with animals. Her romantic relationships flounder until she figures out how to complete her separation from her mother.

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K-drama review: Itaewon Class

Itaewon Class poster
In Itaewon Class Park Saeroyi is a warmhearted man filled with revenge. He’s complicated.

This was a good series, leaning into some K-drama cliches while thoroughly confronting others. I chose it after only getting halfway through another K-drama (Record of Youth) before I had to give up on it for being homophobic (I also wasn’t especially gripped, possibly because I find its star Park Bo-gum wooden in everything). In response to that, I looked up a list of K-dramas with good LGBTQ representation.

Itaewon Class (2020 Showbox/JTBC/Netflix) takes a couple of episodes to get going, because it is heavily loaded with backstory. We meet Park Saeroyi (played by Park Seo-joon) on his first day at a new high school, where he stands up to the school bully only to find himself expelled for the trouble. The bully turns out to be Jang Geun-won (Ahn Bo-hyun), the oldest son of millionaire CEO Jang Dae-hee (Yoo Jae-myung) of Jangga Group, Korea’s largest food corporation. By coincidence Saeroyi’s father works for Jangga Group and his job is now under threat.

The Jang family’s abuse of power does not end there. Saeroyi’s father is killed in a hit and run in which a Jang is implicated, but the police turn a blind eye. When Saeroyi realises who is to blame he takes justice into his own hands, and winds up with a prison sentence for assault.

So when we next meet him he is a high-school dropout with a prison record and a need for revenge. He visits his old friend and first love Oh Soo-ah (Kwon Na-Ra) in her new home in the Seoul district of Itaewon, which he is instantly attracted to. It’s depicted as youthful, international, LGBTQ-friendly and buzzing with a party atmosphere. But before he can build a life here, he has a 10-year plan to earn enough money to implement his father’s dream of opening a pub.

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I have to make do with a hollow heart full of holes

The Memory PoliceThe Memory Police
by Yoko Ogawa
translated from Japanese by Stephen Snyder

This was chosen by my work book club and I would have loved to join that discussion, but sadly I was in a reading slump and didn’t finish the book in time. It’s a high-concept dystopia but it’s still very readable.

On the island, things disappear. En masse. And their disappearance is policed. Residents wake up knowing that something has to go that day – hats or bells or stamps, for instance. They destroy the items under the watchful eye of the Memory Police and their memory of the thing quickly fades, so that if the word is spoken it no longer has any meaning.

So far so strange, eerie even, but the scary part is that some people remember – and the Memory Police are hunting them down, taking them away.

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K-drama review: Two Cops

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In Two Cops, Jo Jung-suk (left), Lee Hye-ri and Kim Seon-ho form a love triangle with a difference.

The last few K-dramas I watched didn’t really hold my attention, but this one was a big success. Two Cops (MBC 2017–2018) is a crime-solving, body-swapping (sort of) action romantic comedy drama with supernatural elements thrown in for good measure.

Cha Dong-tak (Jo Jong-suk, probably my favourite Korean actor, who I loved in Don’t Dare to Dream and Oh My Ghost) is a Seoul detective in the violent crimes unit. He’s a little rough around the edges, a skilled martial artist and hyper-focused on solving the murder of his former partner, despite attempts from his superiors to get him to concentrate on current cases instead.

One suspect in this case is Gong Su-chang (Kim Seon-ho), a smooth-talking small-time crook. When circumstances conspire to land Su-chang in a coma, his spirit is left roaming the world and has the ability to possess Detective Cha’s body. But a medium tells him he has to find a way to resolve his unfinished business within 49 days or he will die. He has to find a way to work with the detective despite their very different personalities and careers.

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