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Tag: Japan

TV review: Gimbap and Onigiri

April 21, 2026

Gimbap and Onigiri poster

I’m a sucker for a romance based around food, and I love Korean and Japanese food, so Gimbap and Onigiri (TV Tokyo 2026) seemed like a good bet. A Korean woman studying in Tokyo strikes up a friendship – and then romance – with a Japanese man who cooks at a small diner. They bond over food, and the relationship helps them both move past stumbling blocks in their lives.

Rin (played by Kang Hye-won) is studying for a master’s in animation but at the start of her final year, she is falling behind her peers and struggling to find somewhere to live. Her mother is nagging her to move back to Korea and work as an art teacher but Rin dearly wants to stay in Japan. Though it’s unclear why as she seems lonely, with only one friend in Tokyo.

Taiga (Eiji Akaso) is clearly a good cook and is valued by his employer, though he’s had no formal training. His family are hard on him about what they see as an unskilled part-time job. But while working he’s happy and popular, if a little too shy to see how liked he is.

So they’re both insecure, and working unsociable hours that make it hard to have much of a life outside work/university. When Rin stumbles on the diner and they start talking, it seems like a perfect match.

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Kate Gardner Reviews

Book review: Butter by Asako Yuzuki

December 7, 2024January 15, 2025 2 Comments

I don’t read all the books that get a tonne of hype, but I try not to be prejudiced against them either. If a blogger or bookseller I know shares my taste – or even better, a friend – recommends a book to me, I’ll give it a chance. And let’s face it, Butter by Asako Yuzuki (translated by Polly Barton) has been everywhere this year. But thanks to a friend recommending it, I get it. Because it’s really good. And even better, it contains a lot to talk about.

The narrative (mostly) follows Rika, a journalist at a prestigious weekly news magazine in Tokyo. Unmarried in her mid-30s, she is at once judged and admired for being a careerwoman – not an easy thing to be in Japan, we’re told. She’s the only woman in her department and works long hours, often seven days a week. She lives on junk food and sees her sort-of boyfriend Makoto only occasionally – usually when he is out drinking late and needs a nearby bed to sleep in.

Her best friend is Reiko, in some ways Rika’s opposite. Reiko is married, cooks every night and has quit her job in PR while she tries to get pregnant. She’s also full of curiosity and (genuinely) helpful advice for her friend.

With the prospect of a promotion on the horizon, Rika needs a big story and she might now have it. Convicted serial murderer Manako Kajii is awaiting retrial at Tokyo Detention House. She would date rich men, cook gourmet food for them, lived a lavish lifestyle thanks to them, and then one by one they died in mysterious circumstances. It was a huge sensational case, in part because Kajii was already Internet famous, with a popular blog about food and cooking.

Kajii has never given an interview to the press, but Rika thinks she can be persuaded by someone open to the possibility of her innocence. Rika is certain that all the press around Kajii’s original trial was steeped in misogyny and fat-shaming, which may have influenced the jury.

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Kate Gardner Reviews

Book review: Earthlings by Sayaka Murata

November 19, 2022 2 Comments

Earthlings book cover

In 2020 when Earthlings by Sayaka Murata came out (in translation from Japanese by Ginny Tapley Takemori) everyone was raving about it. Our local bookshop Storysmith promoted it as one of their bookseller favourites (technically they’re no longer our closest bookshop thanks to the sudden boom in indie bookshops in Bristol, but that’s a topic for another blog post). I was intrigued, and I’d really liked Murata’s previous novel Convenience Store Woman, but I was feeling guilt about how little I was reading (for me) so I put buying new books on hold. Then this summer I fed a friend’s cat while they were on holiday and as a thank you they bought me this. Yay for awesome friends who know the way to my heart.

Like her bestselling previous novel, Murata’s hero in Earthlings is a woman who is emotionally disconnected from the world. But in Natsuki’s case, this may not be due to an innate neurodifference, but rather trauma. Or perhaps a combination.

We meet Natsuki as a child. She believes that her cuddly toy hedgehog Piyyut is an alien from the planet Popinpobopia, a country she first heard of from her beloved cousin Yuu, who she only sees during the summer holidays they spend in the mountains at her grandparents’ home. Yuu claims he is also Popinpobopian and is searching for a spaceship to take him home.

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Kate Gardner Reviews

Someday, everyone will disappear, scattered into the blackness of time

February 10, 2020February 10, 2020

Kitchen book coverKitchen
by Banana Yoshimoto
translated from Japanese by Megan Backus

This novella and short story about grief are an excellent demonstration that you can depict dark, devastating emotion without being hyperbolic or overwrought.

“Kitchen part 1”, “Kitchen part 2” and “Moonlight shadow” each follows a young person (college age ish) who has lost a significant person from their lives. The relationship to the deceased is different and on the surface the reactions are different, but at heart the grief is similar.

One of the keys that Yoshimoto taps into is the comfort of specific places, for example a kitchen or a bridge in a park, in helping the process of grief. In “Kitchen”, Mikage doesn’t even need a specific kitchen to help her feel better – any kitchen will do, though she is particularly enamoured by the kitchen of her friend Yuichi, a young man she barely knew before her recent bereavement.

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Kate Gardner Reviews

Life is nothing like a story in a book

December 18, 2019

tokyo ueno station book coverTokyo Ueno Station
by Yu Miri
translated from Japanese by Morgan Giles

This is an astonishing novella, packing so much insight and commentary and humanity into so few pages. And it taught me snippets of history as well. I’m really not sure how Yu managed it.

The tale is narrated by Kazu, an old man who has spent the last few years homeless, living in Ueno Park in central Tokyo. He tells his life story, but not linearly. An overheard conversation will remind him of his son. A piece of rubbish will remind him of a friend who died. A rain storm will remind him of a certain day in the past. And so on.

Kazu is an ordinary man, which is of course the whole point. He didn’t become homeless because he’s a junkie or had been in prison. Yu doesn’t spell out the reason he ended up in Ueno Park, but as we see his long lonely life getting sadder and lonelier, we can fill in some of the gaps.

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Kate Gardner Reviews

Dorama review: Mischievous Kiss – Love in Tokyo

August 7, 2019August 7, 2019

Mischievous Kiss Love in Tokyo poster

Mischievous Kiss – Love in Tokyo (Fuji TV 2013) seemed like it was almost a carbon copy of Good Morning Call to begin with. And I enjoyed Good Morning Call. But where that show stayed just the right side of irritating cliches, Mischievous Kiss rode those cliches all the way through two seasons. It’s really not great on the gender politics front, but so light and fluffy that I kept on watching, hoping for improvement. It is based on the Japanese manga Itazura Na Kiss written by Tada Kaoru.

This show depicted everything that annoys me about gender stereotypes in Japanese culture. The man is rich, intelligent, calm, collected, cold and cruel but apparently handsome enough for everyone to desire him. (Does that really happen with cold men in real life? In my experience the friendlier, chattier men get all the romantic attention, but then I don’t live in Japan.) The woman is poor, not at all clever, giggles and daydreams through her days, is popular and a good friend, pretty but not beautiful. And for some reason the woman is hopelessly in unrequited love with the man. Man treats woman with total contempt until another man expresses interest and then jealousy prompts realisation of actual feelings. But this doesn’t result in man actually treating woman well, no no no. It means he gives her just enough attention to string her along while continuing to be a total asshole.

The style of Mischievous Kiss is very camp, overwrought and comedic (which is perhaps why it took me most of season one to realise that those gender roles were not getting any better). The acting is laughably bad, as is the set-up.

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Kate Gardner Reviews

Dorama review: You’re My Pet

June 16, 2019

Kimi wa Petto poster

At some point I will have to stop calling the set-ups of these Japanese and Korean dramas odd. I’m sure a lot of my preferred English-language TV sounds just as strange when you summarise the basics. Maybe that’s just my taste in TV generally. But I did find the tone of Kimi Wa Petto (Fuji TV 2017) quite strange to begin with.

This show is based on Yayoi Ogawa‘s Japanese manga Kimi wa Pet serialized from 2000 to 2005. The comic won the 2003 Kodanisha Manga Award. It’s a largely predictable, slightly cheesy romantic drama, but enjoyable all the same.

Our heroine Iwaya Sumire (Noriko Iriyama) seems very serious and capable, but she is struggling to maintain a professional front after being dumped by her boyfriend of five years and then demoted after rejecting advances from her boss. Drunkenly stumbling home, she finds a young man (Jun Shison) on her doorstep who reminds her of her childhood pet Momo and offers to adopt him. He is homeless and has just been beaten up, so he gladly accepts.

Their relationship is initially cringeworthy (Sumire gets “Momo” to beg for food and other dog-like tricks) but when she learns that he is in fact Goda Takeshi, a ballet dancer of some renown, their relationship changes to…roommates? Friends? Siblings? They quickly become very affectionate and comfortable together.

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Kate Gardner Reviews

Dorama review: Kantaro the Sweet Tooth Salaryman

May 25, 2019May 25, 2019

Kantaro the Sweet Tooth Salaryman poster

I am in two minds whether I can really call this a dorama, as it’s barely a drama at all. This TV series (a 2017 co-production of TV Tokyo and Netflix) is in essence a travel food show, with a thin veneer of comedic storyline to tie it together. It’s very entertaining, but also very weird. And it definitely made me want to go back to Tokyo.

The lead character, Kantaro Ametani (played by Onoe Matsuya) is not an endearing man. He is the prototypical salaryman – always serious, focused, hardworking, rejecting colleagues’ invitations to socialise. But he has a secret – he plans his working day around opportunities to “bunk off” for half an hour at select dessert restaurants and then blog about them under the pseudonym Amablo. In fact, he even switched jobs (a relatively big deal in Japan, where it’s common to stick with one company for life) so that he could live and work in Tokyo, closer to all those delicious sweets.

As part of his new job is sales visits to bookshops (cue lots of scenes in Tokyo’s many many bookstores), this is relatively easy. The bulk of each episode is devoted to one particular dessert or sweet at one particular real-life shop or restaurant. The dessert is described in loving detail with high-def slow-mo photography of it being made. And the restaurant also gets an introduction that has clearly been written by its owner or PR person.

So far, so entertaining and lots of note-taking about where to go when we save our pennies for another Japan holiday. But then it gets weird.

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Kate Gardner Reviews

I can sense the border between when time dribbles on and stretches

March 30, 2019March 30, 2019

moshi moshiMoshi Moshi
by Banana Yoshimoto
translated from Japanese by Asa Yoneda

This is an odd book. I loved some things about it, but I didn’t love it. Which is a shame as it sounded so thoroughly up my alley.

Yoshie is in her early 20s when her semi-famous musician father dies in bizarre circumstances. Finding the family home overwhelming in her grief, she moves to the small, hip neighbourhood Shimokitazawa. She loves her quirky, arty new locale and her new job at a cafe there. But just as she is settling in, her mother shows up and insists on moving in with her.

Yoshie is having nightmares about her father, while her mother claims that their family home is haunted by him. The dead father is a constant presence through the book, necessarily so, as the whole arc of the story is the mother and daughter’s shared grief. (The significance of the title is that “Moshi moshi” is how you answer the phone in Japanese, and one of the plot threads is about the father’s mobile phone.)

The depiction of Shimokitazawa is wonderful – it really came alive for me and made me want to go there. There is an element of middle-class folk from a fancy neighbourhood playing at being poor and romanticising “the simple life”, but there is also something very enticing in Yoshimoto’s descriptions of the local shops and restaurants.

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Kate Gardner Reviews

Dorama review: Midnight Diner

February 17, 2019February 24, 2019 1 Comment

Midnight Diner: Tokyo Stories

This Japanese TV show exists in many versions – largely with the same actors – but I am here referring to the Netflix series Midnight Diner: Tokyo Stories (which is arguably season 4 of the show originally aired on MBS). Tim and I love this show so much.

It’s a simple concept: at a late-night diner (open from midnight until 7 a.m.) in Shinjuku, the chef-owner cooks whatever dish his guests request. The camera lingers on the cooking, but this is a drama about people. Each episode takes as its subject one of the regular customers. In this way, the episodes are largely separate stories.

Midnight Diner has a wonderful atmosphere – warm, cosy, but within the confines of reality. The acoustic background music adds to the sensation of being in a friendly backstreet bar where there is always gentle hubbub and subdued lighting.

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Kate Gardner Reviews

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