I can sense the border between when time dribbles on and stretches

moshi moshiMoshi Moshi
by Banana Yoshimoto
translated from Japanese by Asa Yoneda

This is an odd book. I loved some things about it, but I didn’t love it. Which is a shame as it sounded so thoroughly up my alley.

Yoshie is in her early 20s when her semi-famous musician father dies in bizarre circumstances. Finding the family home overwhelming in her grief, she moves to the small, hip neighbourhood Shimokitazawa. She loves her quirky, arty new locale and her new job at a cafe there. But just as she is settling in, her mother shows up and insists on moving in with her.

Yoshie is having nightmares about her father, while her mother claims that their family home is haunted by him. The dead father is a constant presence through the book, necessarily so, as the whole arc of the story is the mother and daughter’s shared grief. (The significance of the title is that “Moshi moshi” is how you answer the phone in Japanese, and one of the plot threads is about the father’s mobile phone.)

The depiction of Shimokitazawa is wonderful – it really came alive for me and made me want to go there. There is an element of middle-class folk from a fancy neighbourhood playing at being poor and romanticising “the simple life”, but there is also something very enticing in Yoshimoto’s descriptions of the local shops and restaurants.

Continue reading “I can sense the border between when time dribbles on and stretches”

Dorama review: Atelier

Atelier

This Japanese drama series, also known as Underwear, is a 2015 Netflix and Fuji TV co-production set in an exclusive lingerie boutique in Tokyo. The trailer looked a little ridiculous, but I was pleasantly surprised once I started watching.

A bit like ER, Atelier opens with a new employee’s first day, but she doesn’t remain the lead character in every episode. The newbie is Takita Mayuko (Mao Daichi), a recent textiles graduate who is excited to be in the very fancy Ginza district for her first day. But she isn’t an obvious fit for the fashion world, being more interested in fabric development than haute couture.

Mayu’s comfortable shoes and ill-fitted suit, not to mention her tendency to speak her mind, particularly stand out against the elegance of Emotion, the boutique that hired her as a general assistant, and its renowned chief designer/owner Nanjo Mayumi (Mirei Kiritani). Nanjo-san initially seems cold and modelled on Anna Wintour (on day one she tells Mayu that she is not beautiful, which considering Daichi is a model is clearly ridiculous) but she and Mayu develop genuine respect for each other.

Continue reading “Dorama review: Atelier”

The fundamental sadness of humans

The last family in england book coverThe Last Family in England
by Matt Haig

I’ve put off reviewing this novel for a while now. I love Matt Haig and this is a lovely book, but I feel like maybe the author – who has spoken publicly about his anxiety and depression – was in a bad place when he wrote it. It’s sad and bleak and I think the ending broke me a little bit.

It’s the story of the Hunters – an ordinary family in an ordinary British suburb, but who are on the brink of disintegrating. And it’s narrated by Prince, the family dog, which sounds like a terrible idea but actually works really well.

Adam and Kate are happily married, their children Hal and Charlotte are typical teenagers. On the surface. But the marriage is brittle. Hal is fragile. Charlotte is always angry. One small spark is all it will take to destroy them.

Continue reading “The fundamental sadness of humans”

He was a mystery to me till the bitter end

never tell book coverNever Tell
by Lisa Gardner

I picked up this crime novel in need of an engrossing, compelling read to get me back into reading. It worked on that level, but it definitely has flaws, primarily that I found the conclusion offensive. So I can’t in honesty recommend this book. If you’re interested in my specific objection, read beyond the spoiler warning below.

For the most part, I liked the characters and the set-up of the crime. The leads are all women and they’re not all broken and/or alcoholics – particularly not the police professionals, which was refreshing. The chapters alternate between three characters: the prime suspect, Evie, a high-school teacher pregnant with her first child; the lead detective, D.D. Warren, who is a recurring character of Gardner’s; and Flora, who is a survivor of a past crime turned police informant and victim-support worker.

The book opens with Evie arriving home to find her husband Conrad dead. She takes the gun from his lap and fires it, and seconds later is found by the police still holding the gun, which makes it hard for them to believe her statement that she didn’t kill Conrad. D.D. recognises Evie from one of her first cases as a police officer, when Evie was a teenager who had accidentally shot and killed her father (or had she?). To make matters even more complicated, when news of the murder is televised, Flora recognises Conrad as an associate of the man who kidnapped and serially raped her.

Continue reading “He was a mystery to me till the bitter end”

K-drama review: Oh My Ghost

oh-my-ghost

This was largely a random Netflix find, possibly loosely inspired by a recent conversation at work about how ghosts occupy a different place in East Asian culture to Western culture. Oh My Ghost (2015 tvN) also heavily features chefs and cooking, which I have recently realised I am a big fan of in my TV choices. And the trailer for it looked light and silly, which appealed to me.

Oh My Ghost is a combination of sweet romance, crime drama and supernatural comedy, and it handles all those elements really well. It discusses sex and passion reasonably openly, for a K-drama. And the leads are very beautiful. Which means this comes pretty high in my ranking of K-dramas, despite my low expectations.

Continue reading “K-drama review: Oh My Ghost”

World Book Day

World Book Day

This might seem redundant on a book blog, but I really do love books. I love books in all their forms: print or electronic; old and tatty or crisp and new; beautifully designed or so plain it’s practically a printout. All of them. I love books that educate, entertain, shock, horrify, uplift, sadden or amuse me.

I have always tried not to be in any way snobby about books or reading. If some people prefer to only read for information-gathering, or only for total escapism, that’s up to them. I think all reading is beneficial – even the backs of cereal packets. I might have a literature degree and have ticked off a lot of titles on those “must read” lists that do the rounds, but I also read a lot of Mills & Boon as a teenager – and really enjoyed them!

That’s not to say I don’t want to change the balance of what I read to better represent the world I live in (I now read slightly more women than men, but most of these authors are white and, to the best of my knowledge, cis-gender and able-bodied). And if I can encourage others using positive means to read more broadly then that’s brilliant.

Continue reading “World Book Day”

February 2019 reading round-up

Tiramisu ingredients

It’s been an interesting month. From below-freezing temperatures and snow storms to summer weather in three weeks. We took a long weekend to play countless hours of Civilization and eat a lot of very rich food, but I honestly can’t remember much of the rest of the month. Brain fog, apologies. I didn’t get much reading done either, for which I also accuse brain fog.

Continue reading “February 2019 reading round-up”

One could lose everything in the blink of an eye, the slip of a foot

2 Comments

Life After LifeLife After Life
by Kate Atkinson

Way back when I was working for my student newspaper as the arts and books editor, I reviewed a short-story collection called Not the End of the World by Kate Atkinson. It wasn’t her first book, but it was still early in her career. I loved it and vowed to pick up the novels she had previously written. But then more than 16 years passed and my only further Atkinson consumption was the TV series Case Histories starring Jason Isaacs as her character Jackson Brodie. Which was excellent.

In 2013 and 2014 everyone was talking about Life After Life. It won the Costa Novel Award and the admiration of all my favourite book bloggers. And I still didn’t read it until the brief period of snow that we had a few weeks back, which made a wintry book feel appropriate. And maybe that’s for the best. I really enjoyed this book, but I suspect it wouldn’t have stood up to the hype, for me at least.

I like the concept: Ursula is born to Sylvie Todd during a snowstorm on 11 February 1910 and dies a few seconds later. She is born again and lives a few years before dying. The cycle keeps repeating: 11 February 1910, snowstorm, Ursula’s birth. However many years she lives, it all starts again at that same moment, same place.

“Ursula opened her milky eyes and seemed to fix her gaze on the weary snowdrop. Rock-a-bye baby, Sylvie crooned. How calm the house was. How deceptive that could be. One could lose everything in the blink of an eye, the slip of a foot. ‘One must avoid dark thoughts at all costs,’ she said to Ursula.”

Continue reading “One could lose everything in the blink of an eye, the slip of a foot”

K-drama review: Pinocchio

Pinocchio

I enjoyed this K-drama far more than I expected to. Pinocchio (SBS 2014–2015), as the title suggests, is a loose interpretation of the classic fairy tale, but grounded in reality. And it’s also an examination of TV news reporting, asking tough questions about truth and other values in journalism.

All the essential ingredients of the fairy tale are there: a person who displays a physical manifestation of lying (in this case hiccups); a person close to them who acts as a conscience; dead and absent parents; there’s even (in my interpretation) a fairy godparent role.

And yet for all that, the TV show this most resembles is Doctors – right down to its lead actor Park Shin-hye. Here she plays Choi In-ha, a woman who has Pinocchio syndrome – she hiccups when she lies (or, importantly, believes herself to be lying or supporting someone else’s lie). Just like in Doctors, the first two episodes are flashbacks setting up the dramatic and romantic storylines.

Continue reading “K-drama review: Pinocchio”

Dorama review: Midnight Diner

1 Comment

Midnight Diner: Tokyo Stories

This Japanese TV show exists in many versions – largely with the same actors – but I am here referring to the Netflix series Midnight Diner: Tokyo Stories (which is arguably season 4 of the show originally aired on MBS). Tim and I love this show so much.

It’s a simple concept: at a late-night diner (open from midnight until 7 a.m.) in Shinjuku, the chef-owner cooks whatever dish his guests request. The camera lingers on the cooking, but this is a drama about people. Each episode takes as its subject one of the regular customers. In this way, the episodes are largely separate stories.

Midnight Diner has a wonderful atmosphere – warm, cosy, but within the confines of reality. The acoustic background music adds to the sensation of being in a friendly backstreet bar where there is always gentle hubbub and subdued lighting.

Continue reading “Dorama review: Midnight Diner”