K-drama review: The King, Eternal Monarch
I watched The King, Eternal Monarch (SBS 2020) based on an online recommendation. Like most K-dramas it is enormously long (16 episodes that are 80 minutes each) and I watched it over a few months. I enjoyed it but I definitely have reservations and…questions.
This is a fantasy series based in two parallel worlds: one that’s essentially our modern reality and one where Korea – or rather, Corea – is still ruled by a monarchy. The king of Corea, Lee Gon (played by Lee Min-ho of Boys Over Flowers, Legend of the Blue Sea and many other shows), is a curious mix of modern and traditional. He lives in a large palace in Busan, waited on by subservient staff. He has fancy ceremonial robes and spends his free time practising fencing and riding his beloved horse. But it gradually becomes clear this is also a world with cars, mobile phones, internet and all the other familiar aspects of modern life.
In the first episode we see a flashback to 1994 when Lee Gon witnessed his uncle Lee Lim (Lee Jung-jin) murder his father in an attempt to seize the throne. Lee Gon was saved by a masked stranger, making him the new monarch at just six years old. The masked stranger disappeared, leaving behind a mysterious ID card. The card belongs to a Detective Jeong Tae-eul and was issued in 2019 – 25 years in the future.
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Roots is one of those cultural touchstones that I’ve heard referenced all my life, but like most Brits I had never read the book or watched the seminal TV series that closely followed its publication. Then I watched the 2016 remake mini series – largely because I knew the cast included Regé-Jean Page – and immediately added the book to my wishlist.