India, fount of my imagination, source of my savagery, breaker of my heart

The Ground Beneath Her Feet book coverThe Ground Beneath Her Feet
by Salman Rushdie

I think I was at university the first time I started reading this. I stopped around 100 pages in, overwhelmed by the relentless references to mythology (Greek, Roman, Norse and Indian), religions, history and language. I think I needed to spend another 15 (plus) years absorbing information about all those things to not only appreciate but truly enjoy this novel. And this time I loved it.

This is an epic tale, centred on a love triangle but encompassing so much more of life and the world than that suggests. The “her” of the title is Vina Apsara, half-American, half-Indian, raised in poverty, handed off from relative to relative until she lands on the doorstep of the Merchant family in Mumbai.

The grand love of her life is their near neighbour Ormus Cama, youngest son of a rich Parsi family. His twin brother was stillborn but Ormus dreams of him, swears that his dead brother feeds him the music and lyrics that he writes.

Continue reading “India, fount of my imagination, source of my savagery, breaker of my heart”

May 2021 reading round-up

Oh look, another month in which I read loads but failed to write any reviews. And I really do want to write about some of this month’s reads, especially The Ground Beneath Her Feet by Salman Rushdie, which is packed with ideas and references.

Top films watch this month include One Night in Miami, Rocks and Liar’s Dice. We also watched Army of the Dead, which is silly action fun with lots of zombies and explosions.

A week ago I got my second COVID jab. It was a less emotional moment than the first one for me, but it’s still a big step toward moving on from all this.

Happy June!

Continue reading “May 2021 reading round-up”

K-drama review: I’m Not a Robot

I'm not a robot poster
Yoo Seung-ho as Kim Min-kyu, and Chae Soo-bin as Jo Ji-ah

This TV show had been on my to-watch list for so long that I’m not sure where the recommendation originally came from, but I’m grateful for it. I’m Not a Robot (MBC 2017-2018) is silly fun, confronting some of the cliché problems with K-dramas without taking itself too seriously. Which is for the best, considering its plot.

Jo Ji-ah (Chae Soo-bin from Love in the Moonlight) is an entrepreneur whose brother is threatening to throw her out of their shared home if she doesn’t give up on her inventions and get a “real” job. To make ends meet she has various part-time jobs and in the course of one of these she meets Kim Min-kyu (Yoo Seung-ho), a reclusive company director who refuses to pay her in full.

Shortly after this, Ji-ah is approached by her ex-boyfriend, professor Hong Baek-gyun (Um Ki-joon), with a lucrative job offer. His research team, Santa Maria, has secretly developed a humanoid AI robot called Aji-3 and they’re about to test it with a major investor but they’ve hit a snag: following a lab accident, the robot’s legs don’t work. Happily, the robot looks exactly like Ji-ah, so could she pretend to be the robot for the investor for a day or two while they get the robot’s legs working?

Continue reading “K-drama review: I’m Not a Robot”

The muddy afternoon sky disgorged a white moon for teatime

Save Me the WaltzSave Me the Waltz
by Zelda Fitzgerald

A few years ago I read Z: a Novel of Zelda Fitzgerald by Therese Anne Fowler and became duly fascinated by this woman who was so much more than the wife of a famous writer. I was particularly interested to learn that Zelda too had written a novel but it was out of print at the time. Thank goodness for small publisher Handheld Press, which republished it in 2019.

This novel is based on Zelda’s own life from her teens through to her early 30s. It was written fast, over six weeks, which perhaps adds to the jazz-like atmosphere. Not that there is that much of it about partying hard in 1920s New York, nor much internal monologue. But there is a lot of exuberance in the language, riffs of evocative description breaking into the narrative. Which is a style that is initially a little tough-going and honestly I wasn’t sure I liked it at all, but it grew on me as the story progressed (though if I had been her editor I would have reined it in, at least in the earlier chapters).

Continue reading “The muddy afternoon sky disgorged a white moon for teatime”

April 2021 reading round-up

Beckett at the beach
We took Beckett to the beach!

The world opened up a little bit this month and the weather wasn’t terrible. Which meant I spent more time outdoors and less time reading. I’m definitely happy to start seeing friends and family again, though I do feel we still need to be cautious, as most people our age are only just starting to be vaccinated and our younger friends are still waiting.

My top film watches this month were Call Me By Your Name, Palm Springs and Easy Rider. I also started a project of watching all four versions of A Star is Born – two down, two to go. And I watched another terrible-in-a-good-way K-drama called I Am Not a Robot.

Continue reading “April 2021 reading round-up”

March 2021 reading round-up

Beckett enjoys the sunshine
Beckett enjoying the mini heatwave in our local park.

Well ending a month with a mini heatwave is one way to feel better about it. But I’m feeling more positive about the month ahead. Better weather plus the first steps of lockdown easing should make April a wonderful antidote to that horrible winter. Here’s hoping.

I read a decent amount this month and wrote two whole reviews! Excellent films watched include The Vast of the Night and Roma. And TV-wise I decided better-late-than-never and inhaled the first season of Line of Duty. I’m trying to give myself a week or two off before I start season two.

Better weather, lighter evenings, plus a dog who has decided she likes being carried in her doggy backpack again, mean we can start going for walks that are a bit longer/further from our house. I just have to be careful not to try to do too much too suddenly, or I’ll trigger a lupus flare. Gently does it.

Continue reading “March 2021 reading round-up”

You start off as coal and you end up as coal

Midnight LibraryThe Midnight Library
by Matt Haig

This novel was selected by my work book club, and it was a classic example of my having loved a book until I started to talk about it with other people, at which point I found many flaws. I love Matt Haig and his style is very readable, so I think I probably did notice some of this book’s problems while I read, but skimmed over them. And I would still recommend this book, just with a little commentary about my reservations.

The problems begin with the premise itself. Nora is having a terrible day and as midnight approaches, she attempts suicide. But instead of leading her to death or a hospital bed, she finds herself in a magical library where every book represents a version of her life. The librarian tells her that she can try on these variants of her life to see if any of them fits her better than the life she just tried to leave. If she isn’t happy there, she will return to the library.

The librarian explains that these lives are based on decisions that Nora made, so she can’t choose a life where someone else’s decision was different, only those where she opted for something else. To help guide her choices, Nora is given a book of regrets. She has many regrets, but if she can undo all those decisions will it make her life a happier one?

Continue reading “You start off as coal and you end up as coal”

A brief rain shower, sweeping swiftly across the valley, gently moistening the parched leaves

The Harmony Silk FactoryThe Harmony Silk Factory
by Tash Aw

This novel seemed to have all the right elements for me to love it, but I’m not sure I even liked it. I see a lot of Goodreads reviewers have called it 2/3 a good novel and I can see their point, but I think it fails long before the final section that others disliked.

Set in Malaysia, with its key events taking place in the 1940s, this is ostensibly the story of Jonny Lim, a poor country boy turned wealthy textile merchant, but his story is told through the lens of three narrators who all think they knew him far better than their accounts suggest is true. Was Jonny a Communist leader, a gangster, a murderer, a traitor? His son Jasper thinks so, but his account appears to be the least reliable of all.

Jasper is the first narrator. Following his father’s death, he is trying to piece together Jonny’s life from a combination of official documents, his own memories, rumours and a generous dose of his own imagination. His unreliability is so thickly laid on that I found it tedious rather than mysterious. There is some satisfaction to be had from seeing some of the events later through another perspective and finding a version of the truth that rings truer, but a lot of what Jasper covers is never revisited, so it can only ever be pure speculation.

Continue reading “A brief rain shower, sweeping swiftly across the valley, gently moistening the parched leaves”

February 2021 reading round-up

Beckett and a book

It finally feels like spring is here. I have more energy with each week that passes. And it’s way easier keeping a dog with very long fur clean when it’s dry weather for a few days in a row.

This month’s reading was pretty good. Five books, of which I loved two. I watched some pretty trashy films but for a genuinely good watch, I highly recommend The Handmaiden.

Here’s to a March of walks, bike rides and more good books.

Continue reading “February 2021 reading round-up”

The spiteful snake that slithers out of her tongue to hurt her mother

Girl Woman OtherGirl, Woman, Other
by Bernardine Evaristo

This novel is funny, smart and encompasses so much through the specifics of its 12 narrators.

It starts and ends with Amma, a playwright who, after years of struggling to make ends meet while making gay, feminist art, is finally on the brink of success. Subsequent narrators include her daughter, mother and closest friends, as well as people who seem to be unconnected at first. We’re given a potted history of each person along with some degree of meeting them “now”, learning how they are connected to Amma and her premiere.

Evaristo’s style is engaging; sometimes funny and sometimes serious; issues-driven without sacrificing storytelling. What is most immediately noticeable is that it is written in fragments not sentences, which seemed like it might be challenging, but I loved it. It gives the novel a quality similar to natural conversation but more elegant.

Continue reading “The spiteful snake that slithers out of her tongue to hurt her mother”