K-drama review: Extraordinary Attorney Woo
I’ve been trying to complete my Netflix watchlist so that we can cancel it (at least for a few months), but they keep on releasing new seasons of shows I like or brand new series from around the world that draw me in. I am always a sucker for a shiny new K-drama. That said, when Extraordinary Attorney Woo (ENA/Netflix 2022) was advertised at me (because the algorithms know) I initially dismissed it based on the poster and the description.
This is the story of an autistic attorney, Woo Young-woo, in her first job after law school, in a country where there is still less support for and understanding of autism than here in the UK. That itself is of interest to me. But this is not one of those grittier, lower budget K-dramas, it has all the sheen of a typical big-budget production and that worried me – would it have any nuance? Or would it treat its lead character with the cliché-ridden and infantilising approach to the autistic brother in It’s Okay to Not Be Okay?
I recently attended a course on neurodiversity in the workplace, and the trainer (who herself is autistic) recommended this show, saying that it is sometimes clichéd but not inaccurate. I think that was the best way possible for my fears to be allayed.
I mean, it’s still high-budget K-drama – it’s glossy, cheesy, repetitive, often silly and sometimes surreal. But it never makes autism the joke. And it feels like it exists in a more “real” world than most K-dramas – albeit still a shiny version of reality where things always turn out for the best and most people wear designer clothes.
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