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Category: Blog

From veggie to…pesce?

October 16, 2013 2 Comments

I made a decision a few months ago that for me was a really big deal, though it has little to no impact on anyone else. It will make me less of a pain at mealtimes, but there’s limited people who got to see me being a pain anyway, I hope! What am I talking about? After almost 19 years of being a strict vegetarian I have started eating fish.

Fish 'n' Chips

As I say, this was a big decision and not one I took lightly. I became – and stayed – vegetarian for a raft of reasons, many but not all of which apply to both meat and fish. I’m not going to list all my reasons for the big switch here, but they include the fact that between IBS and lupus it’s really useful to have more options of where and what I can eat. And I also like the idea of being able to travel more widely without stressing about what I’ll be able to eat there (it really helped in Sicily; the diet there seems to be at least 50% fish and seafood).

For the record, the idea of my eating meat still makes me feel a bit sick (I have no problem with others eating meat, that’s just my personal reaction) but somehow fish has always been a completely separate thing in my head. And I don’t feel that I was lacking any nutrients on a fully vegetarian diet. My various health problems mean I’ve been pretty closely monitored by the docs over the last 10 years and not once has it been suggested that something was wrong with my diet.

What I really wanted to write about here is the process of adding fish to my diet, because almost everyone I’ve spoken to about it has been really interested. Or maybe they were all being polite. Anyway, once the decision was made, Tim and I made a careful plan. There were a few things to consider. The primary worry was that fish would turn out to be an irritant to my IBS, because that would be a complete fail. Slightly less worrying was the possibility that I wouldn’t be able to properly digest fish after so many years. I say less worrying, because the human body is pretty impressive and quickly adapts to changes in diet, so that would only have been a temporary problem. And the third worry? That I just plain wouldn’t like it. The thing is, as a child I really disliked fish, but then I also disliked tea, coffee and other things I’ve come to love.

We started with a small quantity of smoked salmon in some pasta. It was probably the first smoked salmon I ever ate and man was it tasty. And such a strong flavour; I hadn’t expected that, somehow. I really didn’t want to wait a whole week for the next culinary experiment but, y’know, we were being sensible and all. Next up, Tim poached some haddock. Another success, this time with the mild kind of taste I’d been expecting. Week after week, I discovered new textures and flavours, all of which I loved. I even, when Tim had to go away for work, cooked myself a tuna steak (loved the taste but I was a bit put off by how much it looked like a slab of meat on my plate).

So far the only fails have been prawns (I was a bit bothered that they still look like the animal, if that makes sense, and I threw them up, which may have been psychological or may have been a genuine reaction; I’m avoiding them for now) and small fry (a bit of an ordering fail while in Italy, to be honest, but good to know that it is possible for me to dislike a fish dish!).

I am finding this whole thing genuinely exciting, there is so much new stuff for me to discover! And it even makes me a little sad to think that in a year’s time or maybe even less, fish will just be one more ordinary ingredient in my regular diet, rather than a new discovery. For now, though, it’s all about the fun. (Tonight we made monkfish tacos with homemade guacamole – super tasty!)

I do feel a twinge of guilt now and then, because for so long being a vegetarian was part of who I am. It’s very strange defining myself as pescetarian. But so much fun queuing up all the possible permutations of fish dishes! Fish lovers out there: what dish do you recommend?

Kate Gardner Blog

Holiday catch-up

October 10, 2013October 14, 2013

I have finally finished my first sweep through the holiday photos, so I thought I’d write a few tidbits about our trip to Sicily while the memories are fresh and the remnants of having thoroughly chilled out for a week are just about detectable.

We picked Sicily for two reasons: we like Italy (great food, great wine, great art, lovely people) and one of the ways to get there is via a train that goes on a boat! Guess how we travelled! Sadly we only had a week off work so we couldn’t sensibly do the whole journey by train (we did that four years ago to Florence and I can highly recommend it) but we were able to fly from our local airport to Rome and then catch the sleeper train to Sicily. It’s pretty basic as sleepers go – no dining car (we felt like royalty when we dined on the sleeper train from Paris to Florence, it was seriously classy) – but I still love the experience of falling asleep to the chug of the train, peeking behind the window blind at the lights of the towns and cities as you rumble past. The service arrives at the ferry port at a slightly unsociable 6am, which may be why Tim and I were almost alone up on the decks of the ferry (you can choose to stay on the train or get out for the half-hour crossing) but I feel my overexcited inability to stay asleep paid off as watching the sun rise as we pulled in to Messina harbour was pretty special.

Welcome to Sicily

The rest of the train journey was pretty beautiful: the sea on one side of us and Mount Etna on the other. Sicily really is gorgeous. Thankfully that includes Siracusa, where we stayed for a week of relaxing, eating good food and ogling fancy millionaires’ yachts, enjoying the warm sunshine and sea air.

Untitled

We stayed on the island of Ortigia, which is the historic district of Siracusa and it’s exactly what that suggests: old narrow streets, lots of churches and pavement cafes, largely pedestrianised, well looked after. The rest of the city doesn’t have so much to recommend it, but we did venture out to the Archaeological Park to look at the remains of the Greek ampitheatre and other ancient ruins.

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I swam in the Med for the first time in my life. And we spent a couple of evenings sat in a bar on the harbourside just watching the sun set. Man, I’m jealous of two-weeks-ago-me right now.

Untitled

On the way home, we had a half-day in Rome so we had a walk around the Roman Forums and Colosseum. Frankly the former were more impressive, but that might be the combination of crowds of people around the Colosseum, our camera battery dying just before we reached the Colosseum and the skies getting distinctly grey at that point.

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One thing Rome does have going for it is an absolutely giant bookshop in the Termini train station. In fact Italy in general seems to have a lot of bookshops still, which was nice to see.

Okay, that’s enough reminiscing. I miss holiday. If you want to see more of my holiday snaps, I am gradually adding to them to a set on Flickr.

Now the question is, do I carry on learning Italian using the Duolinguo app (which to be honest I think increased my confidence much more than my ability!) or pick a new language to learn a smattering of? (This question is also known as the Now That Holiday Is Over Where Shall I Plan To Go Next Syndrome.)

Kate Gardner Blog

Neil Bartlett puts Great Expectations on stage

October 3, 2013

Great Expectations
Bristol Old Vic, 2 October

Great Expections at Bristol Old Vic
Adjoa Andoh as Miss Havisham. Photography by Mark Douet.

This new stage adaptation of Dickens’ great novel had the atmosphere right from the very first moment. Though I was initially thrown by the unusual staging, I immediately knew where I was and with whom, and greatly enjoyed reliving the story of Pip.

The first impression can’t help but be that staging, with a sparse set and minimal props (at one point the actors were stood in a completely empty black stage) and most of the cast on stage for key scenes, acting as a chorus of voices and/or visible stage hands. I did find this initially distracted me from the acting but once you get used to it it’s actually very effective and immediate.

The cast (especially Tom Canton, who played Pip) narrated the story as well as acting it, often switching between the two mid-sentence. A lot of Dickens’ original language has been absorbed into both the script and the acting, which makes sense of and emphasises the beauty of the language. I laughed out loud but I also came close to tears several times.

That is something the play does brilliantly – it gets Dickens’ humour and really uses it. Dickens characters are notoriously a mix of caricature and realistic, and the acting reflected that, with some characters (e.g. Miss Havisham’s relative Sarah Pocket, played by Miltos Yerolemou) consistently playing it for laughs. However, I did think Estella and Miss Havisham might have merited a few more subtle moments. Pip is just the right mixture of pathos, innocence, frustrating boy making mistakes and downright arrogant/self-serving young man.

I loved the use of doors as props – it was original and effective. For instance, the bewildering size of Miss Havisham’s house was created by having several actors holding doors that they move around to create a maze of corridors. However, the other major prop – microphones on stands – I was less convinced by. The actors would occasionally speak into the microphones to add sound effects, which sounds good on paper but again was something that for me jolted me out of being absorbed by the story and reminded me that these were actors on a stage.

Overall, though, the sound staging was excellent and formed a big part of the wonderfully chilling atmosphere. And that scene, you know, the last one with Miss Havisham (played by Adjoa Andoh), was absolutely brilliantly staged, with Andoh putting her heart and soul into it. I’m so glad they really went for it. It’s supposed to be a big dramatic moment and deserves this treatment.

The more I reflect on it, the more I realise how well this adaptation was done. In just 2.5 hours they get to the heart and soul of a fairly big, dense work of fiction. They even made me want to go back and read Dickens, which isn’t something I’ve wanted to do for a few years now!

Disclaimer: Tickets were kindly supplied to me by the theatre in return for an honest review.

The show runs until 2 November.

Kate Gardner Blog

September reading round-up

September 30, 2013October 11, 2013 2 Comments

Wow, September disappeared fast. Work was super busy and then Tim and I finally went on the holiday we’ve been looking forward to for months. Sicily is amazing. I am sure I will blog about it again when I’ve had more time to sort through the photos but for now I’ll share that it was beautiful with great weather and great food and we had plenty of time to relax and read.

Untitled

This was also the month I got a Kindle and I took the radical step of taking just the Kindle on holiday with me – no physical books adding weight to the suitcase! It was a little weird for me but worked out completely fine. It’s actually quite a nice reading experience. It’s just a shame that I can’t buy books for it from my local bookshop. (Although that might change in future. I understand a number of US bookshops now sell ebooks. I’m not quite sure how it works but I hope it spreads.)

Thanks to the holiday I am very chilled but also very behind on my reviews. I will catch up on them soon. In fact, I’m scribbling some notes on my holiday reads right now!

Books

The Heart of the Matter by Graham Greene (review here)

Any Other Name by Emma Newman

Saga vol. 2 by Brian K Vaughan and Fiona Staples

May We Be Forgiven by A M Homes

Over the Front in an Aeroplane by Ralph Pulitzer (review here)

The Story of My Life by Helen Keller

Short stories

“In dreams begin responsibilities” by Delmore Schwartz (Selected Shorts podcast)

“The lover of horses” by Tess Gallagher (Selected Shorts podcast)

“Down to a sunless sea” by Neil Gaiman (Guardian Books podcast)

“Everyone’s reading ‘Bastard'” by Nick Hornby (Kindle Short)

“Dr Pretorius and the lost temple” by Paul McAuley (borrowed from Tim)

“The bone cemetery” by Paul McAuley (borrowed from Tim)

“Happy trails” by Sherman Alexie (New Yorker, June 10 & 17, 2013)

“Scenes of the crime” by Cormac McCarthy (New Yorker, June 10 & 17, 2013)

“Brotherly love” by Jhumpa Lahiri (New Yorker, June 10 & 17, 2013)

“The ripper” by David Peace (New Yorker, June 10 & 17, 2013)

 

So how was your September? Get up to anything fun? Read anything good?

Kate Gardner Blog

Taking a short break, back soon

September 25, 2013 1 Comment

I had planned to schedule a bunch of posts to cover my holiday but then life got too busy, so here’s a picture to explain my absence. Normal service will be resumed soon.

teatro greco kate & tim

Kate Gardner Blog

Sunday Salon: Guess it’s autumn now

September 15, 2013 5 Comments

The Sunday Salon

I have so many things to write about today! This should probably be four different blog posts but I am too busy/rubbish for that, so here we go.

First up, Tim went on a work trip away for two weeks, which is the longest we’ve been apart in years. Rubbish. But he’s home again now and he brought me back some very lovely book-related gifts. And an opossum finger puppet. Because, well, why not? And yes, there is a Kindle in that little pile of goodies. I haven’t really used it much yet so we’ll come back to that another time.

Presents from that Tim

Yesterday was the launch of the Books Are My Bag campaign, which aims to encourage people to go to their local bookshop. Tim and I joined in the fun by going to each of our favourite Bristol bookshops. For Tim, that would be Excelsior! Comics, for me it’s Foyles. Interestingly, the comic shop wasn’t decked out with orange bunting and Books Are My Bag posters, which made me wonder whether this is a general comic bookshop thing, that they don’t consider themselves, or don’t think other people consider them, to be bookshops? I’m a customer of both but perhaps I’m unusual in that?

Anyway, Foyles was indeed decked out with Books Are My Bag bunting and posters aplenty. And the campaign gave me a great excuse to buy a couple of books I’ve wanted for ages, plus I got a free tote bag and entry into a prize draw to win cool book stuff. I do hope the campaign drew in some new or more occasional customers and not just regulars like me.

Books are my bag

Today we went to the zoo. The temperature seems to have dropped quite a bit this week, which is fine by me (I’m not the best with hot weather) and can actually make the zoo more fun too. For one thing there’s fewer people there. But also, for every animal that curls up and hides from the cold…

Keep warm

…there’s another that loves the cooler weather and is suddenly way more active.

At play

And I do love me a penguin.

How have your weeks been? Did you join the bookshop party for Books Are My Bag yesterday?

Kate Gardner Blog

Chris Brookmyre at Bristol Festival of Ideas

September 11, 2013September 11, 2013 2 Comments

Flesh Wounds
Foyles, Bristol, 11 September

I really like Christopher Brookmyre, or Chris Brookmyre, as he’s branded these days. His books (or at least the ones I’ve read, which is quite a few) are funny, clever, insightful, satirical, sharply observed and just plain well written. But I tend to forget him when listing authors I admire (sorry, Chris) and that’s a shame because I really do. So big thanks to my friend L for asking me to go tonight’s talk with her. A quick glance at the number of his books I own gives some indication of the love I have for him.

Brookmyre books

The first Brookmyre book I read was A Big Boy Did It and Ran Away, which Tim borrowed from his friend (actually, the same friend who originally helped me to set up this website) and then told me I should read it as well because it would apparently explain to me why computer games, especially Quake, are so great. As well as being a good crime novel. And also funny. I very bravely (I’m shy, remember) put up my hand and asked Chris about this book tonight and he confirmed that he was indeed a lover of the Quake games, and he felt that those early days of online gaming made a really interesting subject for a book, though sadly he doesn’t play much these days.

But I’m getting ahead of myself. Chris Brookmyre was interviewed (in front of a surprisingly small audience – I feel I should reassure Chris that he is loved, though I’m sure his sales figures attest to that) by Julian Baggini about his new book Flesh Wounds and his career to date. Baggini asked some really interesting questions about the sociological and psychological insights into crime that Brookmyre excels at. I did enjoy Brookmyre’s insistence that he couldn’t pull off the perfect crime because he’s no good at standing up to authority (which is a little surprising considering how many of his books satirise major establishments) and in real life you can’t predict what the police will do, the way you can when you’re the novelist controlling them (fair point).

Brookmyre was refreshingly down to earth and accessible. He enjoys language, especially dialect, which I think clearly shows in his work. And he’s very self aware. He says that the violence in his books is deliberately slightly cartoonish because he wants to distance the reader from the reality of that side of things, because it’s never central to the story. I hadn’t really noticed that but on reflection it’s obviously true. As he said, there’s one book in which he contrives to have a character cut off their own head!

Brookmyre is also honorary president of the Humanist Society of Scotland and apparently has written some articles on the subject, which perhaps isn’t surprising having read some of his earlier books that talk about the Catholic Church. Interestingly he said tonight that back when he wrote those books he felt frustrated and angry that there wasn’t a voice for non-believers and that there was an unquestioned respect for organised religion, but now he feels that in many ways the war has been won – religion no longer has a free pass and atheism is widely accepted. Certainly, I’d agree that huge progress has been made but I definitely wouldn’t say the fight is over, even here in the UK, let alone elsewhere in the world. If I wasn’t so uselessly shy we could probably have had a good chat about that afterwards.

As it was, I got two books signed (including an embarrassingly dog-eared and tea-stained copy of The Sacred Art of Stealing that I had to reassure him was in that state because it’s “well loved”, which it absolutely is) and, possibly more importantly, was reminded that I greatly enjoy and admire this author and should read more of his work.

This event was part of the Bristol Festival of Ideas.

Kate Gardner Blog

Who doesn’t love penguins?

September 4, 2013September 4, 2013

Penguins on Film
Public lecture at Wills Memorial Building, University of Bristol, 4 September

Tim and I (mostly Tim) have a small obsession with Antartica. When we went to Cambridge last year a visit to the Scott Polar Museum was a must, higher even than the Wren Library (only just). We have amassed a small collection of books about the continent and record every TV programme about it.

Some books about Antarctica

I can’t speak for Tim, but for me one of the attractions of Antarctica is undoubtedly penguins. (Yes yes, I know they live elsewhere in the Southern Hemisphere too, even hot places. You can blame film for the association of penguins only with the extreme cold. Apparently.) They are brilliantly characterful animals. However hard you try not to anthropomorphise, watching them waddle along is unfailingly funny. Yet in water they are hypnotically elegant.

Clearly I am not alone in this love. Tonight’s lecture “Penguins on Film” was actually part of the 8th International Penguin Conference but was open to the general public and between the two interest groups the (pretty magnificent) Great Hall at the Wills Building was crammed full. The panellists gave five short talks about some very different experiences of penguins.

emperor penguin
Image source

The main presenter was Lloyd Davis, a world authority on penguins and engaging speaker to boot. He talked about how some misconceptions and misinformation about penguins stem from and are perpetuated by film, from the earliest footage 100 years ago by Frank Hurley (comedic, unnatural behaviour) to March of the Penguins (models of family values? Penguins don’t mate for life, they pick a new partner every season and aren’t necessarily faithful to that one) and many a cartoon in-between (inaccurate habitats or mixes of species).

While this was all a lot of fun, I kinda already knew all this and there’s an extent to which the portrayal of penguins as comedic does some good in engaging public interest. As the rest of the presenters proved, you can use penguins as a starting point to talk about climate change, how science is done, filming techniques and even new robotics technology.

Elizabeth White from the BBC Natural History Unit talked about some of the challenges of filming penguins for the TV series Frozen Planet. It was fantastic to see some clips from that show on a cinema-sized screen and in retrospect it showed the real contrast between BBC footage and basically anyone else!

The tough job of following that fell to Sue Murray of the Yellow-eyed Penguin Trust who showcased a video made in 1939 by amateur ornithologist Lance Richdale of an endangered penguin species that led both to the charity that works to protect the birds and also to a tourism industry that generates millions of dollars for a remote part of New Zealand. Sadly it’s a more interesting story than film, though it was fun to see Richdale’s wife weighing penguin chicks like you might a human baby.

Phil Trathan from the British Antarctic Survey spoke about how he and a colleague used satellite imagery and aerial photography to identify penguin colonies and to track changes in those colonies over the last five years. It was interesting to hear that, while initially his work led to a doubling of the estimated number of emperor penguins (because satellites can see areas basically inaccessible by land), it has also revealed the loss of whole colonies where sea ice is drastically reduced year on year as a result of climate change.

Finally, Bristol University’s very own Peter Barham and Tilo Burghardt demonstrated how the spycams embedded in penguin robots created for the TV series The Spy in the Huddle have been adapted for scientific research uses such as identifying what species of penguin it is looking at or even recognising individual African penguins by the pattern of spots on their chests. Sadly they didn’t have time to explain why this is useful (here’s a video Peter Barham made earlier), though they did find time for a fun demo of the robot’s new ability to recognise human emotions by getting a volunteer up on stage to pull faces at the spycam. No doubt this too will have extrapolations for biological research. If only there had been more than an hour!

Kate Gardner Blog

August reading round-up

August 31, 2013September 2, 2013 2 Comments

Doesn’t summer speed by? Though I’m hoping for a few more weeks of sunshine, and though it’s many many years since I left school, I still tend to think of 31 August as the last day of summer. I will be picking out some autumnal reads for September, whatever the weather. Maybe a murder mystery.

This month I got back on track with short stories, though I didn’t finish all the novels I’d planned to. I saw Margaret Atwood talking about her new book, which was pretty darned great. And Tim and I celebrated 11 years together. A third of our lives. That’s kinda crazy. We were so young back then!

2002 was a long time ago

Books read

White Tiger by Aravind Adiga (review here)

The Ministry of Fear by Graham Greene (review here)

The Year of the Flood by Margaret Atwood (review here)

All Dogs Are Blue by Rodrigo de Souza Leão (review here)

Smoke and Mirrors by Neil Gaiman (review to follow)

Short stories read

“An inch and a half of glory” by Dashiell Hammett (New Yorker, June 10 & 17, 2013)

“From the diaries of pussy-cake” by Gary Shteyngart (New Yorker, June 10 & 17, 2013)

“Twisted” by George Pelecanos (New Yorker, June 10 & 17, 2013)

“Rough deeds” by Annie Proulx (New Yorker, June 10 & 17, 2013)

“Slide to unlock” by Ed Park (New Yorker, June 10 & 17, 2013)

“A & P” by John Updike (New Yorker Fiction Podcast)

“The twain” by Fabian Acker (Popshot Magazine, Issue 9)

“How to be a writer” by Kirsty Logan (Popshot Magazine, Issue 9)

“Together and parting” by Elahzar Rao (Popshot Magazine, Issue 9)

“Spine” by Patrick Griffiths (Popshot Magazine, Issue 9)

“The ingenium” by Kirstie Smith (Popshot Magazine, Issue 9)

 

So how has your August been? Any plans for September?

Kate Gardner Blog

Margaret Atwood at Bristol Festival of Ideas

August 29, 2013September 4, 2013 2 Comments

Maddaddam
St George’s Hall, Bristol, 28 August

It seems whenever I book tickets for something months in advance, life conspires to try to spoil it for me. Like last night. Once again, Tim wasn’t able to come with me (thankfully some friends from work also had tickets so I wasn’t alone for the journey there at least) and my knee was randomly super painful, particularly on steps. And St George’s Hall has a lot of steps (it is very pretty though). But on the plus side I got to see Margaret Atwood in real life and hear her speak and get her to sign not one but two books for me! So that part was pretty good.

I met Margaret Atwood today

The event was primarily about the Oryx and Crake trilogy, and in particular the third book Maddaddam, which was published in the UK yesterday. So obviously I bought the brand new hardback and got it signed even though I have the other two books in paperback and now they won’t match or even fit on the same shelf. Oops. But it seemed like it would be silly not to, while I was there and she was there. Right?

The interview started with the influences on the trilogy, which is perhaps an easy list to guess for anyone who’s read any of the books, but Atwood embellished with interesting facts and plenty of dry wit. There really are glowing green rabbits (created by splicing jellyfish genes with rabbit), which she says were originally developed for a magician, and spider-goats, developed to create bulletproof silk – “people have opened the genetic toybox and they’re mixing and matching”. When asked if she sees herself as a critic, observer, satirist or optimist of issues such as gene-splicing, Atwood replied that she’s all of those things (which is interesting as I thought the books came down firmly against, but perhaps I misread the tone). She went on to say that people are afraid of what they don’t understand and we’re right to be afraid of our own power but wrong to be scared every time.

Anthropology and psychology seem to be big influences on Atwood (indeed, she subscribes to New Scientist and devours all the popular science, especially biology and epidemiology, she can). When asked about how she was able to describe people living after the, ahem, event of this trilogy, she made the acute observation that basic human traits, “our essential smorgasbord”, have not changed since the days of the caveman – we’re all susceptible to love, rage, jealousy, etc, therefore no changes in technology – or loss thereof – are going to change human emotions.

Talking more generally about storytelling, Atwood said “the reader is the violinist of the text…I’m just the originator”. She also touched on a subject that fascinates me: the link between memory, language, storytelling and religion. Memory evolved to allow us to anticipate the future. And once a language has a past and future tense, we start telling stories, and an important part of that is a theology of where we came from. And that brings us back to Maddaddam, which apparently develops the religion of Crake’s children.

There were many more highlights that I scribbled down but I’ll finish with the story that Atwood seemed most eager to tell: the cover design. The first cover she was sent was flowers and a bee: totally girly and not at all reflecting the content of the book. Inspired by Maureen Johnson’s excellent Coverflip challenge Atwood asked for something different, something dynamic and maybe even scary. It took a lot of revisions but you have to admit that the new cover may have pink on it but it sure isn’t girly. Freaky, unnerving and intriguing, yes.

This event was part of the Bristol Festival of Ideas.

Kate Gardner Blog

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