Gilmore Girls returns!
The news that Netflix is going to revive Gilmore Girls with a series of four feature-length episodes written by original creator and producer Amy Sherman-Palladino and Daniel Palladino has got me pretty excited to say the least. While, like everyone else I am curious to see who will be back and what developments will have happened in their lives in the last 8/9 years (and whether they map what I imagined for the characters), I am also looking forward to a general revival of interest in the original TV show, so that my fandom doesn’t seem quite so out of date!
I am unapologetically a Gilmore Girls fan. I don’t own any merchandise but I recorded every episode off the telly and have watched them all…well, a lot. Now this may seem a decidedly unbookish topic for a book blog (though it’s my blog and I’ll write about whatever I want to) but Gilmore Girls might be the most bookish fictional TV there ever was. In fact, it’s so bookish that there are countless reading lists out there based on it, including my own version of the Gilmore Girls Reading Challenge in which I have attempted to list every book read in the show by Lorelei or Rory. And let’s not forget that the show’s star Lauren Graham is a bona fide author (of a book that has been languishing on my wishlist since it was announced).
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Growing up, my Dad bought us the Beano every week and I loved to read about the Bash Street Kids and all those other characters. But then I got too old for the Beano and I never replaced it with other comics, turning instead to novels.

I seem to be watching several TV shows based on books at the moment. Not that it’s in any way a new phenomenon. I was raised on The Waltons, M*A*S*H, Lovejoy, Jeeves and Wooster, BBC Shakespeare and the Jeremy Brett Sherlock Holmes. (To be honest, I didn’t even know those first three were based on books until recently.) And let’s not forget Woof! and, well, basically all children’s TV shows from my youth (or so it sometimes feels). Books, and especially series of books, are ripe for TV adaptation, where more time can be devoted to the plot than a film allows.